An ongoing series of found-object wall assemblages mapping intimacy, power and the body across cultures, each panel named for a nation, pressing private life into public form. Chapter I.
Each panel is assembled from used shoes, worn clothing, leather and hand-dyed materials, objects once carried close to the body, now restitched into dense, sculptural fields. Named for a nation, every work charges the surface with the vocabulary of a place: its taboos, its tenderness, its unspoken agreements.
Read together, the panels form an atlas of how societies hold the body: what they permit, what they punish, and what they quietly carry.
